introductions of participating box players

We have some evidence, however, that you may have to pay for the reeds.

What tuning are you playing?

Poll ended at Sat May 06, 2006 7:51 am

B/C button box
1
4%
C#/D button box
9
38%
Anglo Concertina
10
42%
English Concertina
2
8%
Harmonica
1
4%
Stomach Steinway
1
4%
 
Total votes: 24

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GaryKelly
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Post by GaryKelly »

English Concertina when my game elbow permits, which sadly isn't as often as I'd like.
Image "It might be a bit better to tune to one of my fiddle's open strings, like A, rather than asking me for an F#." - Martin Milner
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maze
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poll

Post by maze »

Hey all... i had two other options on the poll that don't seem to have shown up. Anyone know how to edit a poll? I had

D/G, C/F button box
one row, three row, other

but they did not show up. i guess there may be a limit to options or something ?Dale?... but knowing me, i just probably screwed it up.

you were NOT supposed to divulge the little red piano box thank you! It sad in the cupboard for years collecting dust until the latest band incarnation An Triur started doing more songs, so it comes in handy when accompanying them... plus it makes us sound more Pogue like at times!!

there... out of the stomach steinway closet!
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rh
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Post by rh »

Rob H in south Florida.

I have a C#/D Castagnari Lilly but i don't play it much and probably will sell it in the near future; mostly i play my Weltmeister one-row in D ... i know, i'm ignoring a sleek Italian beauty in favor of a big loud German fraulein, but the sound of a four-stop LMMH one-row is one of my very favorites in music.

Can't say i play well at all, i'm mostly a mandolin and tenor banjo player and sometime whistler. But i do enjoy the melodeon greatly.
there is no end to the walking
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Wombat
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Post by Wombat »

Anglo concertina for me. Also harmonica and melodica. I want to get one or another of the standard Irish-style accordeons soon but can't decide which guitar or flute to sell to finance the project.
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Ro3b
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Post by Ro3b »

Rob from DC here. I started playing B/C about 5 years ago when I was living in Charlottesville (Mark and John, glad to see you two coming over to the dark side). Before that I'd played around a little with G/C and D/G tunings and (gasp) English Concertina. A couple of years ago I switched over to C#/D as my primary system, though I still have my trailworn mid-60's Hohner B/C, and someday soon I'm going to get that thing tuned and fixed up. Once I get it sounding better I may well switch back. My D box is a Castagnari Fazzy. I also play flute, guitar, bouzouki, and mandolin.

In the interest of equalling the level of discourse of other realms of C&F, I'd like to take this opportunity to troll: you're all a bunch of wankers. Thank you.

:-)
Bartleby
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Post by Bartleby »

I love seeing this new forum. I'm Dan from Alabama. I've played harmonica for years, and I'm looking to expand to either/or concertina or accordion. I play some IrTrad, but I also play a lot of AmTrad! My main inspirations have been the music of Patrick Street and Altan- and I'm embarrassed but I can't even remember their accordion player's name. But Jackie Daly is awesome and so is he!
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Caj
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Post by Caj »

I only play the Anglo, mine being a late-model Crabb about as old as I am. It has a sweet sound, and by "sweet" I mean that it doesn't have too much caw or haw or nyah or bwah or whatever. Very pure sound.

The inside is filled with cigarette soot---the previous owner must have played it every day for 30 years in smoke-filled bars. It was so heavily played when I bought it that the metal buttons were worn down. It was as if the previous owner sweated sulfuric acid.

I'm also building a new one of my own design, based on some computer simulations I ran as a grad student. I actually have a bunch of programs to analyze the rate at which you hit different buttons when playing different layouts in different styles. I have discovered, for instance, that about 50% of common Irish tunes can be played just fine on a 20-button C/G, and that people who play along the rows are more likely to run out of air on the push while people who play across the rows are more likely to run out of air on the pull.

Caj
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Caj
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Post by Caj »

Bartleby wrote:I love seeing this new forum. I'm Dan from Alabama. I've played harmonica for years, and I'm looking to expand to either/or concertina or accordion.
Dan,

Homewood Music is in Homewood Alabama, near Birmingham. The guy Bob Tedrow makes and sells concertinas. You can find gobs of information at his site http://hmi.homewood.net.

Bob Tedrow is a pillar of the concertina community; his website provides a wealth of information about how concertinas work, how to make minor repairs etc.

Caj
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lixnaw
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Post by lixnaw »

I started boxing nearly two years back on C#/D , but i'm a slow learner on the box.
I play flute for a year now and i'm way ahead compared to my boxing...
I loved the sound of a Saltarelle Nuage and bought one, but i found it rather heavy to play.
So i bought a 2 voice Cairdin last week, and it's perfect!! there's very fast action and steady bellows, it's also very dry tuned. I can practice a lot more now. I'll keep my Nuage for when i'm a better player though!
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rh
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Post by rh »

Bartleby wrote: Altan- and I'm embarrassed but I can't even remember their accordion player's name.
Dermot Byrne, amazing C#/D player.
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Martin Milner
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Post by Martin Milner »

I'm on the waiting list for a Streb electronic melodeon:

http://www.streb.co.uk/

and should have it by Midsummer. Amongst other benefits (ability to practise silently, numerous diffent voicings possible), it's also programmed for sveral different keyboard layouts - so I'll have a C#D, B/C, D/G, C/F and any other tunings I can think of, all in one box.
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Congratulations
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Post by Congratulations »

Martin Milner wrote:I'm on the waiting list for a Streb electronic melodeon:

http://www.streb.co.uk/

and should have it by Midsummer. Amongst other benefits (ability to practise silently, numerous diffent voicings possible), it's also programmed for sveral different keyboard layouts - so I'll have a C#D, B/C, D/G, C/F and any other tunings I can think of, all in one box.
How much are those going for? They look really neat.
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Lorenzo
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Post by Lorenzo »

Caj wrote:I have discovered, for instance, that about 50% of common Irish tunes can be played just fine on a 20-button C/G
Dat's true. But more makes some tunes soooo much easier.
...people who play along the rows are more likely to run out of air on the push while people who play across the rows are more likely to run out of air on the pull.
Dat's true too. Some tune I have to start about ½ way open. But I use the breath button a lot. What was awkward for me, when I first started, was pushing the breath button on the squeeze to get rid of the air.
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avanutria
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Tell us something.: A long time chatty Chiffer but have been absent for almost two decades. Returned in 2022 and still recognize some names! I also play anglo concertina now.
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Post by avanutria »

Anglo concertina. I have a midrange model in C/G, I like to buy damaged or cheapo ones on ebay and learn to fix 'em up, and I'm a sucker for miniature concertinas. I've got one being restored by A.C. Norman at the moment, should be done within a month or so with any luck.

I play Irish music, but being in England it's hard to find that at workshops and festivals. I also started a concertina group at Frappr, it's got nearly 100 worldwide members now. Anglos outnumber English 2:1 :D
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Post by jlfinkels »

Lachenal Anglo 20-button G/D with a Tedrow 30-button G/D on order. I've been playing for around 3 months.

-jeff
Atlanta, GA, USA
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