Jetboy (maker of Weston Whistles), put it this way in response to a Peter Laban (a very fine whislteplayer):
Jessie Driscoll, our resident whistle Diva agrees with jetboy:Jetboy wrote:Nah, sorry, that's still bollocks. A whistle is a whistle is a whistle. They are all identical in principle, just differ in quality. A great player can make a mediocre whistle sing, a good whistle operatic. It is the player that makes the finer points really, not the whistle, which is why, as I said before, great players like Mary Bergin can make a cheap whistle sound fantastic. A mediocre player can still appreciate the finer points of playing without being able to recreate it, and can therefore make a whistle that can perform well in the right hands. I have made instruments that sound like a car exhaust when I blow it but put inthe hands of a professional and they become another instrument entirely.Peter Laban wrote:OK briefly,I am convinced you can make a decent instrument when you're not a great player but you're not likely make a great instrument when you're not a great player because you won't be able to appreciate firsthand the finer points a great player will be looking for. Now back to topic.
I still need to be convinced.......
A great little topic, given the wonderful fact that the price of a whistle and it's quality are hardly related at all.JessieK wrote:I happen to believe that a mediocre whistle player is capable of making a great whistle.