Still struggling with this, so if you listen it is for the tune and not the playing. A bit of eq applied for background, and as usual on phone from best I could piece together of a few minutes of recording. For some reason I find the second part particularly demanding, am ok top of 2nd octave for other tunes, and sometimes I even sound like Matt Molloy for a note or two...for part of a note...I'm learning. I guess it is just the combination of the large range in short time, the cadence and trills that makes second part more difficult. Anyway, it is together enough to get an idea what the tune is about, and as a bonus there is probably an extra note or two added and I can't say any fairer than that.
The Horse With the Whistling Lip
https://e1.pcloud.link/publink/show?cod ... 0v7jyJKcP7
P.S. Thanks Martisan, I just read your reply now. Yes, it is one of my own...well you know when you start just playing a tune it doesn't seem like you've made it either, but often I start with a sound or short melody that I like when I'm just playing freely and then take some effort to complete it as I think it all sounds . I will look up the tune you mention, I'm really quite ignorant of all the traditional music that has been written so far because I'm relatively new to it all... I tend to occasionally listen to tunes by known players and if I like one then will learn it and research it also a bit.
The sound of The Nightjar does come from that way or sentiment of music though, no doubt. The Horse With the Whistling Lip above, I started the first part briefly several months ago and left it at that, then I'm playing more recently and there is a tune that starts that feels familiar and I finish it and only at the end do I realise it is all continued from the previous, which is also the title.