Posted: Mon Dec 20, 2004 7:43 pm
The teensy bucket idea is not bad either, but it still would require venture capital to get it off the ground, in my opinion.
Why not oleorezinator?oleorezinator wrote: Never teach pigs to sing"
why not what?Dragon wrote:Why not oleorezinator?oleorezinator wrote: Never teach pigs to sing"
oleorezinator wrote:why not what?Dragon wrote:Why not oleorezinator?oleorezinator wrote: Never teach pigs to sing"
because it wastes your time and it annoys the pig. so goes the seanfhocal.Dragon wrote:oleorezinator wrote:why not what?Dragon wrote: Why not oleorezinator?
Why not teach pigs to sing?
From my observation in sitting and practising with concert standard bansuri players (including the 82 centimetre A flute) I note:-jim stone wrote:........
I mean quicker, more accurate, more agile,
ornamenting more crisply. I suppose part of the
rational is that the ends of one's fingers
are more precise and discrete objects than
the middle joints--dance better, can be
placed and controlled with more precision.
Bansuri often requires piper's grip--these things
can be humongous, and I have to use it on
low whistles. I've seen excellent flutists
use it too--as I said, one can play very well
with piper's grip. I never would have made
the change except that I had driven six hours
to reach the lesson, Grey L is Grey L,
and the lesson, while a good deal,
had cost too much to ignore.
I'm 62, by the way.
On a back street in Calcutta in 87 I came upon a small flute-talasiga wrote:From my observation in sitting and practising with concert standard bansuri players (including the 82 centimetre A flute) I note:-jim stone wrote:........
I mean quicker, more accurate, more agile,
ornamenting more crisply. I suppose part of the
rational is that the ends of one's fingers
are more precise and discrete objects than
the middle joints--dance better, can be
placed and controlled with more precision.
Bansuri often requires piper's grip--these things
can be humongous, and I have to use it on
low whistles. I've seen excellent flutists
use it too--as I said, one can play very well
with piper's grip. I never would have made
the change except that I had driven six hours
to reach the lesson, Grey L is Grey L,
and the lesson, while a good deal,
had cost too much to ignore.
I'm 62, by the way.
Bansuri is not just phalanging the tone holes.
Combination of finger tipping and phalanging.
The right ring finger tip closes the tone hole and the next two fingers are "phalangers". Ditto with left hand. This is much easier and more balanced than 6 finger phalanging.
I am just now (these last 2 weeks) adjusting my Irish flute playing to this approach. It does wonders for the posture. My bansuri player friend sits and plays these large flutes for 2 to 3 hours at a time every day. My friend studies under Hariprasad Chaurasia's bansuri maker whenever he visits India. I forget the makers name just now. Actually I couldn't grasp it through my friend's Italian accent.
Anyhow,
its finger tip, phalange, phalange, finger tip, phalange, phalange .....
This is why you have not seen me about for some time.
If I may make a suggestion, FWIW,headwizer wrote:What an interesting discussion! Well, on more careful reading of Grey's description of normal grip, the left thumb is supposed to provide a slight amount of pressure for stability to oppose the force of the left fingers on the tone holes. I don't recall Grey saying that one of the balance points is the chin in the normal/standard grip, so much as the lower lip. I will recheck this.
I find that sealing the tone holes in normal grip is difficult. I cannot get the same volume from the flute as I do with piper's grip (eg, with my left thumb under the flute), and sometimes all I get to sound is an airy wind - no note at all. Perhaps it is because the beveled edges on the Folk Flute's tone holes require more pressure with my type of fingers? All I know is that as soon as I switch back to piper's grip, the sound comes back.
Maybe I would do better with a polymer flute too. I seem to have to swab the insides of my mopane flute every other tune. I hear that polymer flutes don't care about moisture buildup.
I mean the smallest finger on the right (lower) hand. Several references tell me to lay this down on the lower end or foot of the flute to stabilize it. I cannot reach the flute with my smallest finger. Instead, I use the ring finger of my right (lower) hand on the E hole all the time, except when it interferes with a note, of course.JStone wrote:Do you mean covering the D? Please explain if you will. Do you mean the ring finger on the rt hand?
There are six holes on the flute. Idjm wrote:I mean the smallest finger on the right (lower) hand. Several references tell me to lay this down on the lower end or foot of the flute to stabilize it. I cannot reach the flute with my smallest finger. Instead, I use the ring finger of my right (lower) hand on the E hole all the time, except when it interferes with a note, of course.JStone wrote:Do you mean covering the D? Please explain if you will. Do you mean the ring finger on the rt hand?
djm
And no venture capital for lead weights? Then again, I suppose one could always rifle through a friend's tackle box for them! Smart man.Doug_Tipple wrote:The teensy bucket idea is not bad either, but it still would require venture capital to get it off the ground, in my opinion.