I'm interested in the shorter, smaller flutes, as I have shorter, smaller hands and fingers.
Does
this sort of flute have an identifying name? Or is it simply a folk Bansuri (or something else, perhaps)?
The film, Silent Waters, is set in 1979 Pakistan. It is about the cultural/religious contention following partition.
I'd like to purchase something similar within the UK, but it is difficult to find detailed information about instruments, let alone sourcing them. If anyone has had any success in the UK, or through contacting the Indian community, I'd be most grateful for any assistance.
A couple of Bansi links:
http://www.youtube.com/watch?v=86Y0JB0vFiY (LQ)
http://www.youtube.com/watch?v=kfm7A41uupU (still)
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Here's something extra: I watched the documentary "The World According to John Coltrane" recently, and there was an excellent section on Indian music. I doubt it's legal for me to upload, so I'll do a transcript.
In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks:
"In 1960, Coltrane left Miles [Davis] and formed his own quartet to further explore modal playing, freer directions, and a growing Indian influence. They transformed "My Favorite Things", the cheerful populist song from 'The Sound of Music,' into a hypnotic eastern dervish dance. The recording was a hit and became Coltrane's most requested tuneāand a bridge to broad public acceptance."
http://www.youtube.com/watch?v=I_n-gRS_wdI
http://www.youtube.com/watch?v=NllPZ5_Tw40
(La Monte Young)
"[JC] was using what were like elements of minimalism in his playing, when he would take a fixed constellation of tones and do these very interesting mathematical permutations on them. It's not unlike what you would hear Lester Young doing in Blues. But, he had refined the process because of his exposure to Indian classical music and other Eastern traditions of modalism. You can hear it tied into his Blues legacy and brought into a new level of refinement and understanding."
(Narrator)
"In the Eastern and African cultures Coltrane turned to for inspiration, music is a means to enlightenment, not an end in itself.
His drive to expand his musical horizons increasingly became a process of spiritual development. His playing and composing - a probing of soul and spirit with his audience as active participants rather than passive witnesses.
A friendship with Ravi Shankar that began in the late 1950s--with informal discussions and jam sessions--became an education in an ancient Science of sound; in which musical structures map specific states of consciousness."
(La Monte Young)
"One of the really important things about modal music is that you have a set of frequency relationships that are repeated over and over. Because of the emphasis on intonation in Indian classical music, this set of frequency relationships is very much in exactly the same place, so that each frequency comes right back at the same place. This sets up a series of patterns in the mechanism of the nervous system of the listener, so that a psychological state is created.
If you believe the Universe is composed of vibrations, then you can understand how a study of sound--which is the most concrete form of vibrations that the human mechanism can immediately assimilate--can be an introduction to the understanding of universal structure."
Just some anecdotal data: although an interest in Jagjit Singh preceded this, I really got into Indian music after watching
Satyajit Ray films. They helped me get in touch with the (Bengali) culture - historic/mystic, as well as progress and modernity. There are a couple of
tastes on YouTube. Very nutritious. The most hypnotic, I've found, is Devi (Goddess), which I think is available on Veoh. His most famous, The Apu trilogy, will be out there, too.