Chiff and Fipple Forums

TinwhistleJulian wrote:I'm writing on an Instrumental Album that contains some Celtic and Medieval inspired Instrumental pieces and I would like to learn guitar technics for playing along with the guitar in a fitting way.

John Renbourn studied classical guitar at school and it was during this period that he was introduced to Early Music.

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Possibly the best known London venue for contemporary folk music in the early 1960s was "Les Cousins" in Greek Street, Soho, which became the main meeting place for guitar players and contemporary singer-songwriters from Britain and America. Around 1963, Renbourn teamed up with guitarist Bert Jansch who was visiting London from Edinburgh and together they developed an intricate duet style that became known as "folk baroque". Their album "Bert and John" is a fine example of their playing.

Renbourn released several albums on the Transatlantic label during the 1960s. Two of them, "Sir John Alot" and "Lady And The Unicorn" sum up Renbourn's playing style and material from this period. "Sir John Alot" has a mixture of jazz/blues/folk playing alongside a more classical/early music style. "Lady And The Unicorn" is heavily influenced by Renbourn's interest in early music.

At around this time, Renbourn also started playing with Jacqui McShee who sang traditional English folk songs. Together with Bert Jansch, bassist Danny Thompson and drummer Terry Cox, they went on to form Pentangle. The group became very successful, touring America in 1968, playing at the Carnegie Hall and at the Newport Folk Festival.