At last, thank you Bloomfield! Here I ask for a simple understandable clinical explanation and what do i get - straws and balloons and oboes, oh my! Bloomfield has provided the best explanation - a picture; thank you dear friend.
Philo
"This is this; this ain't something else. This is this." - Robert DeNiro, "The Deer Hunter," 1978.
PhilO wrote:At last, thank you Bloomfield! Here I ask for a simple understandable clinical explanation and what do i get - straws and balloons and oboes, oh my! Bloomfield has provided the best explanation - a picture; thank you dear friend.
Philo
Because that is the most whistle related picture I have ever seen.
Tommy, peeplj, your answers helped me. I will continue to ponder this over. IDAwHOa, that is interesting idea because the second one happens to me and I thought it must be my imagination. Bloomfield very helpful too in a different way . Congrats Dale . I think that oughta about do it.
Tommy, you can always get back in by clicking the Edit button on the upper right side of your post. If someone has posted after you, then there will be a message on your post saying you edited it. If no one has posted after you, there won't be a message that you edited it. If you want people to know why you changed something, you can just say"Editing for spelling error" or you can just not worry about it. I may have misunderstood what the problem was.
Backpressure - resistance of air admittance. Could be expressed as impedance.
Trumpet - High Backpressure
Clarinet - High Backpressure
Flute - Low Backpressure
Bagpipes - High Backpressure - needs over 5 inches water column pressure
Basson - Extreme Backpressure
If you blow air into a whistle and it freely flows througth the instrument with almost no resistance, then you have low backpressure.
If you feel that flow of air is impeded that you have to push just a little to get it through, then you have backpressure.
Some backpressure is good because it gives you better breath control. You'll notice that good backpressure in whistle will be easier to separate out the octaves.
Obviously everyone will like a different amount I like my Burke for tone but I actually enjoy playing my Syn Eb or my Cheiftian E as both have pretty high back Pressure. My next whistle is a Bleazy Blackwood supposed to have high back pressure good for me the Bassoon and Bagpipe player.
Cynth wrote:Tommy, you can always get back in by clicking the Edit button on the upper right side of your post. If someone has posted after you, then there will be a message on your post saying you edited it. If no one has posted after you, there won't be a message that you edited it. If you want people to know why you changed something, you can just say"Editing for spelling error" or you can just not worry about it. I may have misunderstood what the problem was.
Thank you Cynth for your kindness. Denny is correct.
Let me see if I've got this right.
The size of the hole you blow through for flute (lip appeture) small whistle, and trombone are all about the same, but the resonance of the instrument actually pushes back (the balloon effect) while you push air through a hole (the straw effect). This is different for every instrument.
Trombone can produce ridiculous sound levels, and physics says that sound energy has to come from somewhere. This is why, in the last bits of Die Valkure or Mars brass players regularly rupture small blood vessels. Many feel that thinning the blood before playing acts as a prophylactic against microheammorages (sp!) and pneumothorax. Beer can save hour life.
None of this fully explains the Generation G whistle. I tried welding with it, and it worked like a hot damn until my fingers burst into flame.