Search found 2890 matches

by Kevin L. Rietmann
Wed Jul 23, 2003 5:55 pm
Forum: Uilleann Pipe forum
Topic: Earschplittinloudenboomerpipes
Replies: 69
Views: 32411

Brendan said a bunch of stuff, including: I agree with Alan that quietened concert pitch, just sound awful. Gay Mckeon was mentioned earlier has having loud pipes. I have played with him and didn't find this, his pipes were certainly nowhere near as loud as mine! I think it depends on your concept o...
by Kevin L. Rietmann
Tue Jul 22, 2003 9:11 pm
Forum: Uilleann Pipe forum
Topic: Pictures of Your Pipes
Replies: 2202
Views: 1290621

My Brad Angus 5 regulator Bb set, when it was fresh off the lathe, not covered in munge from constant playing like now...broken down here, the extra regs removed. [img]http://C:\Documents%20and%20Settings\Robert%20Bester\My%20Documents\My%20Pictures\Trucated%20Bb%20set[/img][/url]
by Kevin L. Rietmann
Tue Jul 22, 2003 9:02 pm
Forum: Uilleann Pipe forum
Topic: Staple Thicknesses
Replies: 2
Views: 968

Staple Thicknesses

What thicknessness (sp?) of metal are being used for these staples? I've always seen .020 recommended in books, so I've bought a bunch of sheets of them. Craig Fischer, on one of the Sean Reid Society CD-ROMs, details some really old reeds he or others took apart, and the metal thickness was .022, o...
by Kevin L. Rietmann
Tue Jul 22, 2003 8:53 pm
Forum: Uilleann Pipe forum
Topic: Earschplittinloudenboomerpipes
Replies: 69
Views: 32411

Regarding cane hardness: I recently received some S.L. Medir cane, 2 Kilos, and it does seem softer than what I'd previously got from Nick Whitmer, who supplies their cane in the USA. I asked for the softest possible stuff.
by Kevin L. Rietmann
Tue Jul 22, 2003 12:09 pm
Forum: Uilleann Pipe forum
Topic: Short rolls
Replies: 26
Views: 4869

"Robbie Hannan says you should always cut E with G..... he thinks the A cut is too harsh on a flat set. [he also insists that G rolls should be cut with B, to add tone and character] " Yow! I do that sometimes to kill an unwanted hard D, if I play the D and then try to play G, rolled or ot...
by Kevin L. Rietmann
Tue Jul 22, 2003 11:56 am
Forum: Uilleann Pipe forum
Topic: F#GA triplets
Replies: 14
Views: 2464

Just ignore the squeak in the tight triplet. Many pipers use light reeds, this is just part of the sound. A few obsess over this and play very stiff "armbuster" reeds to get around it. Unless you're strong to begin with, it's probably not worth the pain, unless you want to lift weights to ...
by Kevin L. Rietmann
Mon Jul 21, 2003 10:06 am
Forum: Uilleann Pipe forum
Topic: Earschplittinloudenboomerpipes
Replies: 69
Views: 32411

You can put some "rushes" in the bore, wires with junk (string, blobby shtuff, etc.) on them, and then use a reed which is both sharper in overall pitch, and flat in the 2nd octave, without the rush; with the rush it's in tune. This can also serve as a tuning device, if the blobs can slide...
by Kevin L. Rietmann
Mon Jul 21, 2003 4:07 am
Forum: Uilleann Pipe forum
Topic: What's Up With NPU
Replies: 35
Views: 7122

I gave up on NPU after the 3rd increase in dues, not that I'd pay 30 dollars (instead of pounds) a year to learn about their roof being repaired, or the subscription to the Gum for funds from the Arts Council. Does anyone really give a rats about such minutia? I'm interested in knowing where my mone...
by Kevin L. Rietmann
Mon Jul 21, 2003 3:29 am
Forum: Uilleann Pipe forum
Topic: What's your favourite pitch
Replies: 42
Views: 7125

I recall a reference to flutes written in the 19th century, I think, that used the terms flat, concert, and sharp pitch. I'd assume the Taylors picked this terminology up and used it with their customers and students; or did Coyne make concert pitch stuff too...? A music dictionary from the 18th cen...
by Kevin L. Rietmann
Mon Jul 21, 2003 2:49 am
Forum: Uilleann Pipe forum
Topic: Earschplittinloudenboomerpipes
Replies: 69
Views: 32411

Earschplittinloudenboomerpipes

Hello all, I was wondering if it isin't true that most modern makers of wide bore concert pitch pipes are mostly trying to create instruments that cut through sessions and bands, through the noise of guitars, bodhrans, chitter chatter, etc. Like Gay McKeon's pipes, really really trebly and bright. W...